Kate Vassallo draws the line
Kate Vassallo’s Ripple marks the conclusion of Artereal Gallery’s exhibition program, as the Sydney gallery is closing its doors after nearly two decades.
Advertisement
Advertisement
Stanton Cornish-Ward and Trent Crawford, LOCK, 2020. 12- Channel HD Video (Film still).
Penelope Umbrico, Sunburn (Screen Saver), 2008. single-channel digital video, 5min loop. Screen shot.
A Sony Cube CRT at Metro Arts, in its last days at 109 Edward St.
A Sony Cube CRT at Metro Arts, in its last days at 109 Edward St.
Yuehao Jiang, Glorious Endlessness (Still frame), 2014, 3D animation, 2 minutes and 28 seconds.
Susan Hawkins, Sky Gazing, 2020. Video Still.
We live in a society wrestling with the desire to reduce excessive consumption while also grappling with the reality of planned obsolescence. In the group exhibition New for Old, curator Kyle Weise has assembled a group of screen-based artworks by Australian and international artists in order to reflect on these issues using the symbolic potential of obsolete cathode-ray tube (CRT) televisions. Weise explains that both nostalgia for the old tellies of his childhood, and watching new TVs quickly become obsolete, were part of what first gave him the idea for New for Old. He describes walking through the city over the years and finding footpaths littered with CRT televisions, then LCD flatscreens. “There was something so melancholy about these objects,” recalls Weise. “Once, no doubt, purchased with excitement; now thrown onto a rainy Melbourne street to make way for something new.”
The curator’s imagination was also sparked by the work of Finnish media theorist Jussi Parikka who, according to Weise, asks us to consider that our reliance on “screen technology is leading to ever-increasing ecological impact in terms of the mining, manufacture and disposal of millions of screens,” and the work of American artist Penelope Umbrico, whose video Pirouette for CRT, 2012, is screening in New for Old.
In Pirouette for CRT, Umbrico edits together still images of old TVs from online marketplaces so that they seem to spin. The frenetic pace of her video neatly embodies a cultural anxiety generated by the constant need to upgrade our screens. The exhibition also features works by Jeron Braxton, Stanton Cornish-Ward and Trent Crawford, Susan Hawkins, Danny Jarratt, and Daniel McKewen. All of the artists in New for Old have their own thematic concerns, but together they highlight the role objects play in memory, the pitfalls of technological obsolesce, and, as Weise puts it, “the vast material structures that support the seemingly-ethereal transmission of images.”
New for Old
Metro Arts
12 December 2020—23 January
This article was originally published in the January/February 2021 print edition of Art Guide Australia.
Kate Vassallo’s Ripple marks the conclusion of Artereal Gallery’s exhibition program, as the Sydney gallery is closing its doors after nearly two decades.
A new exhibition at Bendigo Art Gallery takes us deeper into the life of the often-mythologised artist Frida Kahlo, through her personal photographs, clothing and objects, borrowed from Casa Azul, Kahlo’s house museum in Mexico.
Using a hand coil pinch technique, the pots created by the Hermannsburg Potters of Western Arrarnta in Central Australia illustrate the lived histories of the artists and their surrounding Country. Their latest creations are now showing at Bett Gallery in Hobart.
The Victorian First Peoples Art and Design Fair debuts in partnership with the Melbourne Art Fair this weekend, offering a special preview of new and recent artworks from 37 Koorie artists and designers.
In his latest exhibition, now showing at Bett Gallery, Postmodern painter and writer Imants Tillers is influenced by a variety of sources including the metaphysical style of Italian artist Georgio de Chirico.
You’re Welcome?, a group exhibition at Verge Gallery, complicates this country’s well-worn narratives of inclusion and exclusion, while playfully exposing the rules that shape what it means to belong.
