
Kate Vassallo draws the line
Kate Vassallo’s Ripple marks the conclusion of Artereal Gallery’s exhibition program, as the Sydney gallery is closing its doors after nearly two decades.
Kate Clark, Gallant, 2016, fallow deer hide, antlers, clay, foam, thread, pins, rubber eyes, wire, dimensions variable. Image courtesy of the artist.
Ronnie Van Hout, Sculp D. Dog, 2001, pegasus print, 83 x 52.5 cm. Courtesy the artist and Darren Knight Gallery.
Jazmina Cininas, Blood Sisters, 2016.
Rona Green, Dusty Rhodes, 2011, hand coloured linocut, 76 x 56 cm, edition 23.
Deborah Klein, Ladybird Woman, watercolour on Khadi rag paper, (Photo credit: Tim Gresham).
Bharti Kher, The hunter and the prophet (from the Hybrid series), 2004, digital C-print, 114.3 x 74.9 cm.
Human-animal hybrids have captured our imagination in mythology and storytelling for thousands of years. But it is only in recent years that the amalgam has become a scientific possibility: in 2017 scientists successfully grew human stem cells in pig and sheep embryos. Scientists call these hybrids chimeras, after the monstrous Greek mythological creature pieced from lion, goat and snake members.
To coincide with the 200-year anniversary of the publication of Frankenstein, RMIT Gallery presents My Monster: The Human Animal Hybrid, an exhibition exploring our simultaneous fascination and horror with the fusion of the human and animal.
Curated by Evelyn Tsitas, the exhibition stems from her academic research into the human-animal hybrid in science fiction. Tsitas’ exhibition draws on ideas in humanities, feminism, philosophy, animal studies and the visual arts to examine “the complex issues surrounding human and animal relationships, our interconnectivity, and also how the hybrid form is used as a powerful metaphor”.
Presenting over 20 Australian and international artists whose work features the hybrid in various forms and mediums, My Monster examines the life cycle and narrative of the hybrid across five gallery spaces. Included are works by well-known Australian artists Julia deVille, Lisa Roet, Sam Leach, Sidney Nolan and Peter Booth.
The hybrid is the ultimate symbol of the outsider, tapping into our fear of difference and the Other. Human-animal hybrids disturb our sense of ourselves, leading us to question which fragment is more monstrous.
My Monster: The Human Animal Hybrid
RMIT Gallery
29 June – 18 August