A lone man stands in a field poised against three firefighters, the latter of whom are pummelling the man with a high-intensity water cannon. With his back to the water, the man resists the force and moves slowly towards the firemen. It’s a moment that’s reminiscent of protest movements throughout the world. It’s a display of the resilience of human dignity. It’s also the scene captured in Mel O’Callaghan’s video work Ensemble.
Displayed across two channels and projected over a 20-metre-wide space, the video encompasses the overarching themes defining O’Callaghan’s multidisciplinary practice: questions of resistance, struggle and transformation. Ensemble expands these ideas by exploring the political symbolism of protest. As O’Callaghan says,
By conflating the political, psychological and biological, O’Callaghan anchors the human body as a site to investigate protest and resistance. “When watching the water cannons I noticed how the body would move against the water in a very specific way and it felt like a universal symbol that people could identify with,” says the artist.
This interest with identification is ultimately a question of shared catharsis; the sole man’s eventual triumph against the firefighters likewise becomes a transcendent moment for viewers. For O’Callaghan, this victory speaks to our current cultural climate: “I think we’re at a crisis point at the moment and I suppose I want to go back to, on a more biological or primal level, the way that humans have this capacity to resist and to regenerate.”
Ensemble
Mel O’Callaghan
The Ian Potter Centre: NGV Australia
17 November – 12 March 2018
For the 24th Biennale of Sydney, Paris-based Fondation Cartier has commissioned 14 new works by Indigenous artists across the globe, curated by renowned Kuku Yalanji artist, Tony Albert.
From revamped industrial sites to brand new spaces in Sydney, to openings in Adelaide, Melbourne, Cottesloe and Darwin—across Australia there’s a flurry of new and reopening gallery activity.
The National Gallery of Victoria has unveiled their summer blockbuster exhibition for 2024–2025. Yayoi Kusama’s signature polka dots and pumpkins, along with world-premiere work, will appear in Australia’s largest retrospective exhibition of the Japanese artist.
Mai Nguyễn-Long’s latest exhibition at Wollongong Art Gallery takes influence from her Vietnamese heritage and living in a modern Australian setting—speaking to the trauma experienced by the diaspora.
The three separate exhibitions that come together in Tales of Land & Sea, speak to Arthur Boyd’s sense of justice, his desire to break down barriers between class and cultures, and his deep love of the ancient myths that still speak to humanity.
“Sometimes I think of my paintings as a sound score to the pulse of the landscape.” Sue Lovegrove presents 12 new abstract landscape paintings in her latest show at Gallerysmith.
