South Australia’s newest contemporary art organisation rises from the ashes of Contemporary Arts Centre of South Australia CACSA) and the Australian Experimental Art Foundation (AEAF).
Turbulence, uncertainty, funding cuts. These were the operating conditions for experimental art in South Australia last year.
In May 2016, CACSA and AEAF were gutted, as were 65 regular recipients of national arts funding, in the infamous funding cut bloodbath.
Between them they missed out on close to $150,000 a year in Australia Council funding— for a total of a four-year period. Both managed to hold on to state government funding.
The blow was dealt though, and in early August they announced a merger.
It was a matter of joining forces to prevent the demise of both organisations, insisted Liz Nowell, then CACSA’s executive director.
Last December, the AEAF closed its doors after over 40 years of operation. While CACSA, established in 1942 as the Contemporary Art Society of South Australia, also shut up shop.
The organisation, born from hardship and uncertainty, put on its debut show – BLACKFLAG by the prominent South Australian painter, Christian Lock.
ACE Open is based out of the former AEAF site, at The Lions Art Centre in North Terrace.
Director/CEO Liz Nowell said in a press release, “ACE, as an acronym that is not fixed, encapsulates our approach to a curatorial practice and rigour that is flexible and constantly evolving, just like the world we live in,”
An ‘unfixed’ acronym suggests that the organisation is responsive to the goings on within it. ACE could stand for Adelaide Cultural Exchange or perhaps Art Contemporary Experimental. It’s an open invitation.
In a show of solidarity, over 500 people attended the inaugural exhibition last night, which was opened by Leigh Robb, Curator of Contemporary Art, Art Gallery of South Australia.
We’re wishing ACE Open every success.
ACE Open
Lion Arts Centre
North Terrace (West End) Adelaide SA 5000
65,000 Years: A Short History of Australian Art is an extraordinary account of the unique art of this continent, published alongside a landmark exhibition at the Potter Museum of Art. Necessary and urgent, it tells the story of Indigenous Australian art; a new art history unlike anything we’ve seen. For Jane O’Sullivan, it’s a remarkable and must-read book.
In a new series of illustrated postcards available as a free gift with purchase only at the Art Guide Bookstore, Oslo Davis takes on classic and contemporary art terms and genres and reimagines what they could be referring to.
With so much to choose from, we’ve rounded up the major summer exhibitions in each capital city, open all summer long. Spanning Yayoi Kusama, Magritte, the Asia Pacific Triennial of Contemporary Art, and many more.
Melbourne-born figurative artist and ceramicist Rob McHaffie takes a global view of human idiosyncrasy. His biggest exhibition to date, now showing at Bendigo Art Gallery, covers over a decade of his painting practice.
Heide Museum of Modern Art’s summer blockbuster exhibition is unveiling the breadth and beauty of Italian modernism through design. With over 170 objects spanning sixty years, Molto Bello explores the cultural impact of this period of creativity and invention.
In an expansive show at the Chau Chak Wing Museum, seven leading Australian ceramic artists have reinvigorated one of Australia’s oldest museum collections by creating a contemporary potter’s quarter—known as the ‘kerameikos’ in Ancient Greece.
