There has never been a better time to avoid art. However, as Oslo Davis discovered, the internet makes it ridiculously easy to stay connected to the art world, whether you like it or not.
There is a world of art available on your phone.
Online life drawing classes are a revelation!
Everyone gets to be a Zoom background art critic.
Augmented reality sculptures beamed into your lounge room will provide hours of amusement.
Youtube has a million art tutorials you can try at home.
The kids will love to live stream some contemporary dance.
And there’s no shortage of in-depth art podcasts.
Artists’ studio web cam offers a unique insight into the creative process.
But if you’re sick of looking at screens, don’t worry: the galleries will reopen soon.
Gaypalani Waṉambi has just won the 2025 National Aboriginal and Torres Strait Islander Art Award (NATSIAA), Australia’s longest running and most prestigious art awards of its kind.
A survey exhibition spanning the 30-year practice of Jennifer Mills brings together bodies of works grounded in precision and tenderness at Bunjil Place Gallery.
‘North Terrace: worlds in relief’ showing at Samstag Museum of Art, invites viewers to reflect on the complicated legacies of the cultural institutions that line Adelaide’s North Terrace.
In the cavernous spaces of Hobart’s Museum of Old and New Art, the large-scale kinetic sculptures of Arcangelo Sassolino are teetering on the brink.
Artists communicate across space and time in the expansive inaugural exhibition, 65,000 Years: A Short History of Australian Art at the newly renovated Potter Museum of Art.
Described as “a space for reflection, remembrance, and the sharing of truth”, Kattidj Nagãr, now showing at John Curtin Gallery, is dedicated to the Aboriginal people who once resided at the Carrolup Settlement in Western Australia.
