Artists for artists. Midnight in Paris endeavours to display the best and brightest artists from Melbourne and around the world in their rotating exhibitions, accompanied by a fully licensed bar and kitchen.
71 High Street, Prahran VIC 3181, Australia
03 9510 9312
Tues and Weds 11am–5pm,
Thurs to Sat 11am–11pm.
Nicholas Smith’s sensuous and bodily sculptures speak to the classical history of the form in an installation that is now on display at the Australian Centre for Contemporary Art as part of Future Remains: The 2024 Macfarlane Commissions.
In her latest exhibition at Arthouse Gallery, Belinda Fox invites friends and artists to contribute by reflecting on their sense of home.
GAGPROJECTS, a mainstay of the Adelaide art scene, has announced that the Kent Town space it has operated out of for 32 years will close at the end of August.
Throughout her nine decades, Elizabeth Blair Barber used her vibrant social life as the wife of Charles Bunning (of the Bunnings hardware empire) to fuel her art practice and raise the profile of other female creatives by painting well-known figures from the West Australian art scene.
Sara Oscar’s Counterfactual Departures uses generative AI to create an otherwise non-existent family archive—creating photographs that depict her pregnant mother’s migration from Thailand to Australia in 1974.
Artist books are sometimes treated like exhibition postcards and not much more than mementos, but they grapple with intriguing questions about what to document, and how. Jane O’Sullivan reviews three artist monographs from Elizabeth Newman, Kate Tucker and Louise Haselton, and finds some very different strategies.
