Tom Cullity Drive, Cowaramup WA, Australia
Frank Morris’s paintings in Rock, Paper, Scissors, Sigh are an exercise in formal innovation, showing at Art Collective WA—where his art is open to multiple, perhaps endless, meanings
Elizabeth Willing has transformed the way we think about food and contemporary art. Through sculpture, participatory events, performance, collages and installation, Willing has used materials from marzipan to sherbet to liquorice. Ahead of her upcoming exhibition at Tolarno Galleries, we asked Willing 20 insightful and fun questions.
Shirley Purdie’s newest paintings at Olsen Gallery are ancestral stories of Country and Ngarranggarni (Dreaming), but also sites and moments that resonate with Purdie, from her birthplace of Mabel Downs Station to her family history.
For three decades Marco Fusinato has worked across his noise guitar performances, installations, and appropriated musical scores. Interrogating moments of extremity, whether political or musical, Fusinato is now representing Australia in the 2022 Venice Biennale — which you can stream live. Here, he talks about punk, noise and music, and moments of radicalism.
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