Handmark is all about handmade, the family of Tasmanian artists it represents, and it’s great staff.
Handmark
77 Salamanca Place Hobart TAS 7000
03 6223 7895
Mon to Sat 10am—4pm,
Sun 11am–4pm.

Handmark is all about handmade, the family of Tasmanian artists it represents, and it’s great staff.
77 Salamanca Place Hobart TAS 7000
03 6223 7895
Mon to Sat 10am—4pm,
Sun 11am–4pm.
It feels like everything is slowly but surely being affected by the rise of artificial intelligence (AI). And like every other disruptive technology before it, AI is having both positive and negative outcomes for society. One of these negative outcomes is the very specific, yet very real cultural harm posed to Australia’s Indigenous populations.
There are many parallels between skin and painting. “Paint is a thin skin on a surface—a layer that transmits ideas into the world,” writes Jennifer Higgie in Thin Skin, the accompanying publication to a 2023 exhibition featuring paintings by thirty-six Australian and international artists.
Buoyed by the power of love and the spirit of artistic invention, Mostafa Azimitabar’s new solo exhibition at Maitland Regional Gallery turns dehumanising narratives on their head.
First held in 1990 at Araluen Arts Centre in Alice Springs, Desert Mob is the oldest of Australia’s thriving annual program of Aboriginal art fairs. With its 30th anniversary coming up in September 2020, Kate Hennessy looks back on Desert Mob 2019.
Virtuosic digital artistry is on show in Serwah Attafuah’s installation The Darkness Between the Stars, currently showing at ACMI.
Congratulations to Aisha Sherman-Noth, who has won the 2025 Glover Prize for Weeping birches on the avenue. The Tasmanian-based artist wins $80,000 for the painting, which depicts weeping birch and poplar trees along the Brooker Highway into Hobart.
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