GAGPROJECTS

Gagprojects (previously known as Greenaway Art Gallery) was established by Paul Greenaway OAM in 1991, in a large converted warehouse in Kent Town, South Australia.

The gallery’s focus has been always to promote the best local and national contemporary artists, complemented with regular invitations to artists from other countries, maintaining a strong focus on conceptual and challenging disciplines in a variety of mediums.

The gallery currently represents 26 artists, and collaborates in irregular basis with other guests or associated artists and institutions.

gag@greenaway.com.au

Admission is always free

Disabled Ramp Access

GAGPROJECTS

39 Rundle Street Kent Town SA 5067

08 8362 6354

gagprojects.com

Open by appointment only.

Feature

Jonathan Jones on Country and kinship

bagan bariwariganyan: echoes of country, curated by Jonathan Jones and now showing at Bundanon, highlights a long history of Indigenous art on the New South Wales south coast, with works and installations from Jones, Aunty Julie Freeman, Aunty Cheryl Davison, and Mickey of Ulladulla.

Steve Dow

Studio

Inside Nathan Beard’s Preston studio

Symbols and images dance across Nathan Beard’s vast body of work, all connecting back to his Thai-Australian heritage. We step inside the artist’s studio space in Preston, Victoria, and discuss his upcoming exhibition at Sweet Pea Gallery.

Giselle Au-Nhien Nguyen

Feature

20/20 vision: on the legacy of un Magazine

un Magazine was conceived to champion courageous art criticism in an art world too often shaped by power and influence, a mission that still endures two decades on.

Andrew Stephens

Book Reviews

‘About Face’ mirrors the alluring world of contemporary portrait painting

About Face is a smart piece of marketing. The new book on portrait painting from Australia and New Zealand has a mission to change buyers’ minds about the field. But as Jane O’Sullivan discovers, any sales pitch wears thin if it’s repeated often enough, and the close attention to how portrait painting is received by the market means that other important conversations fade to the background.

Jane O'Sullivan

Feature

Archie Moore’s family ties

For Lardil and Yangkaal writer and curator Maya Hodge, Archie Moore’s presentation at this year’s Venice Biennale is a powerful symbol of reckoning—one that asks the world to bear witness to the long shadows of colonial violence and clears space for possibilities ahead.

Maya Hodge

In Pictures

A conversation between past and present

An exhibition at the Museum of Brisbane sheds a new light on Brisbane’s history, presenting a significant historical archive of photography alongside contemporary artists responding to the original source material.

GAGPROJECTS

GAGPROJECTS

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