Carrick Hill is a publicly accessible historic property at the foot of the Adelaide Hills, in the suburb of Springfield, in South Australia. It was the Adelaide home of Sir Edward “Bill” Hayward and his wife Ursula, and contains a large collection of drawings, sculptures, antiques and paintings.
46 Carrick Hill Drive, Springfield SA 5062, Australia
08 7424 7900
Wed to Sun 10am–4.30pm.
Public Holidays 10am – 4:30pm
Anzac Day 12noon – 4.30pm
Natalya Hughes has a conflicted fascination with modernist men like Freud, Kirchner and de Kooning. Jane O’Sullivan takes a look at The Interior, the Institute of Modern Art monograph on her recent practice, and discovers difficult and provocative questions about not just the representation of women in art and culture, but also the careers of women artists in Australia.
Anador Walsh reviews Ivan Cheng’s performance exhibition NP at Monash University Museum of Art—a three-day project, made in collaboration with a group of Year 11 students, that explores the loss of childhood innocence and role of documentation in performance.
Even though women currently outnumber men in the arts by two-to-one, the industry remains rife with gender disparities from income to accommodating motherhood. So why, asks Neha Kale, is the growing visibility of female-identifying artists falling short of genuine, material change?
19th century paintings stand alongside contemporary pieces by Brook Andrew, Patricia Piccinini and Destiny Deacon, and others, in an exhibition rethinking the Australian landscape at Shepparton Art Museum.
“We can communicate with our hands when we craft something”: This year’s Indian Ocean Craft Triennial, IOTA24, delivers craft and culture across Western Australian art galleries.
With the likes of Björk and Beyonce wearing her creations, within Dutch fashion designer Iris van Herpen’s surreal garments—which are showing at QAGOMA—couture becomes a canvas for the phenomena of nature.
