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For ceramicist Glenn Barkley, the lagoon is “a swampy place where ideas come from”.
Trent Walter has run Negative Press, a publisher of limited-edition prints and artist books, for over a decade. Now, for the 22nd Biennale of Sydney, Negative Press is home to a new piece of equipment—the Heidelberg GTO 52, an offset lithography press—and a new collaboration with designer Stuart Geddes to produce a publication, NIRIN NGAAY.
Radicality doesn’t necessarily sit in one temporality or in one action, but spans, as the exhibition portrays, across histories and through consequences.
Dug and Digging With is the result of a 12-month collaboration between emerging curators Katie Barber and Stan Mahoney and seven visual artists, writers and theorists whose practices are process-based and research-driven.
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