Suggested Reading
Barbara Kruger: THINK OF ME THINKING OF YOU
For decades, beginning well before the advent of social media, Barbara Kruger’s prescient use of words and text has invited people to consider their context in contemporary society. In Brisbane, between 4–7 September, audiences may experience her concise, dynamic aesthetic within the internationally acclaimed Gems delivered by choreographer Benjamin Millepied and the L.A. Dance Project.
Louise Martin-Chew
The Hadley’s Art Prize Winner is announced
New South Wales-based artist Sophie Cape, has won the Hadley’s Art Prize for 2025. The winning piece, alongside the 28 finalists, will be on display at Hadley’s Orient Hotel, Hobart until 21 September.
Art Guide Australia
Listening with Discomfort and Possibility
For Listening Acts at the Now or Never Festival, the music and performance company Chamber Made invited artists to interrogate the intersection between the body, listening and technology.
Josephine Mead
Setting the Agenda
Artists communicate across space and time in the expansive inaugural exhibition, 65,000 Years: A Short History of Australian Art at the newly renovated Potter Museum of Art.
Giselle Au-Nhien Nguyen
Danie Mellor contemplates history and memory
Marru translates to “becoming visible” in Danie Mellor’s ancestral Dyirbal language (of Far North Queensland). In his current exhibition Danie Mellor: marru | the unseen visible at Queensland Art Gallery, the title reflects the work’s gentle ruminations on the complexities of the history of colonisation entwined with personal memories.
Barnaby Smith
Sue Kneebone and the tides that bind
Over the past two decades, Sue Kneebone’s practice has threaded together found materials and archival information to consider the impact of settler colonialism on the landscape of South Australia. Kneebone’s exhibition at Adelaide Central Gallery is a nod to her great-great-grandfather and the “trans-oceanic” legacies braided into his story.