Suggested Reading
Latai Taumoepeau’s narrative flow
Existing in the space between ritual, performance and ceremony, the body-centred work of Latai Taumoepeau rewrites the stories that shape our perception of Oceania—while using ancient traditions to tackle our most urgent modern concerns. Taumoepeau is now participating in Re-Stor(y)ing Oceania at Artspace.
Rayleen Forester
Aisha Sherman-Noth wins the 2025 Glover Prize
Congratulations to Aisha Sherman-Noth, who has won the 2025 Glover Prize for Weeping birches on the avenue. The Tasmanian-based artist wins $80,000 for the painting, which depicts weeping birch and poplar trees along the Brooker Highway into Hobart.
Art Guide Australia
Making material change
Now showing at Manly Art Gallery & Museum, the 5th Tamworth Textile Triennial: Residue + Response, showcases 25 diverse artworks and considers what contemporary textiles can be.
Josephine Mead
A land outside time: on Dane Mitchell’s The Imponderables
For Dane Mitchell, Slvalbard—a mysterious archipelago north of the Arctic circle—gives the tensions that shape our ecological moment a new and intriguing form.
Louise Martin-Chew
Darrell Sibosado scales new heights
In an interview with Louise Martin-Chew, Darrell Sibosado discusses his striking installation Ilgarr (Blood), currently on show as part of the 11th Asia Pacific Triennial, his major commission at the 24th Biennale of Sydney, and Illume, an upcoming collaboration with the renowned Bangarra Theatre.
Louise Martin-Chew
You’re Welcome? reveals the double binds of belonging
You’re Welcome?, a group exhibition at Verge Gallery, complicates this country’s well-worn narratives of inclusion and exclusion, while playfully exposing the rules that shape what it means to belong.