Suggested Reading
Latai Taumoepeau’s narrative flow
Existing in the space between ritual, performance and ceremony, the body-centred work of Latai Taumoepeau rewrites the stories that shape our perception of Oceania—while using ancient traditions to tackle our most urgent modern concerns. Taumoepeau is now participating in Re-Stor(y)ing Oceania at Artspace.
Rayleen Forester
Aisha Sherman-Noth wins the 2025 Glover Prize
Congratulations to Aisha Sherman-Noth, who has won the 2025 Glover Prize for Weeping birches on the avenue. The Tasmanian-based artist wins $80,000 for the painting, which depicts weeping birch and poplar trees along the Brooker Highway into Hobart.
Art Guide Australia
Making material change
Now showing at Manly Art Gallery & Museum, the 5th Tamworth Textile Triennial: Residue + Response, showcases 25 diverse artworks and considers what contemporary textiles can be.
Josephine Mead
You’re Welcome? reveals the double binds of belonging
You’re Welcome?, a group exhibition at Verge Gallery, complicates this country’s well-worn narratives of inclusion and exclusion, while playfully exposing the rules that shape what it means to belong.
Jasmeet Kaur Sahi
Pure Shores: On the allure of Henry Roy’s Impossible Island
The images of Haitian-French photographer Henry Roy—on display for the first time at the Art Gallery of Western Australia—are a tribute to the landscapes that loom large in our imagination and a beguiling antidote to the brutality of the world.
Michael Sun
Sustaining culture with Gillian Kayrooz
To coincide with the presentation of the 3rd Bankstown Biennale: Same Same/Different, Gillian Kayrooz spoke to Karina Dias Pires about how food can express the complexities of culture and difference—and spark unlikely connections across time and place.