Kate Beynon in her studio. Photograph by Jesse Marlow for Art Guide Australia.
Read a full transcript of the podcast here.
In this first series of Five on Five we’re asking five painters to speak about a painting that has influenced, inspired or resonated with them. In this episode Kate Beynon reflects on The Creation of the Birds (1958) by Spanish artist Remedios Varo.
As you listen, you can see in the painting (reproduced above) that Beynon is captivated by Varo’s hybrid owl-woman and her spiritual presence, which in turn inspired Beynon’s blue shaman, a guardian figure that appears throughout Beynon’s work.
We’ll be releasing more episodes of Five on Five: Painter Series over the coming weeks so stay tuned. To make sure you don’t miss an episode, subscribe to the Art Guide podcast on iTunes.
Hong Kong-born Melbourne-based artist Kate Beynon recently completed her PhD in Fine Art at MADA: Monash University, has exhibited widely in Australia and internationally, and is represented by Sutton Gallery, Melbourne and Milani Gallery, Brisbane.
Beynon has recently participated in an ethical Fashion collaboration with The Social Outfit in Sydney, and is showing at Salon dés Refuses at S.H. Ervin Gallery. Her upcoming exhibitions include:
Weaving Stories
Artspace Realm
28 July – 10 September
The 2017 Archibald Prize
Goulburn Regional Art Gallery
29 June – 19 August
A major exhibition charts the ingenuity and creative spirit coming out of the Yirrkala community across time. In collaboration with Buku-Larrŋgay Mulka Art Centre,Yolŋu Power: the art of Yirrkala is now showing at the Art Gallery of New South Wales.
Have you ever wondered if someone who is no longer alive could create art? In answer to this question, biological artists Guy Ben-Ary, Nathan Thompson and Matt Ringold, in collaboration with the now deceased Alvin Lucier, have extended the experimental composer’s “ideas about the resonance of sound” for their immersive exhibition, Revivification at the Art Gallery of Western Australia.
A quiet power pulses through It’s Always Been Always at Fremantle Arts Centre, where six First Nations women artists reflect on kinship, Country and cultural memory.
Step inside Monica Rani Rudhar’s space at Parramatta Artists Studios, where she works across ceramics, sculpture, video, performance, and latterly, public art. Rudhar is working towards her solo exhibition at Martin Browne Contemporary, while reflecting on the value of play, how imitation leads to authenticity, and why she’d be lost without her sketchbook.
In Queer Territory at the Northern Centre for Contemporary Art, Darwin, curator Maurice O’Riordan has drawn together diverse works from the 1980s to the present day to present a snapshot of queer practice in the Territory.
With an approach to artmaking drawn from the “fieldwork of life”, twin brothers and artistic collaborators Man&Wah, who are now showing at 4A Centre for Contemporary Asian Art, use plant migration to explore duality and movement.
