A classically trained gilder, Will Lynes explores the historical and artistic relationship between glass and painted lettering, rooted in traditional signwriting techniques such as reverse glass painting and gilding, blending art and advertising.
Arwin Hidayat’s TERNYATA AKU MASIH BERBAHAS (It Turns Out I’m Still Breathing) at Mitchell Fine Art, presents a lifetime of visual storytelling, experimentation and curiosity.
The central life-giving gesture of the breath is at the core of Max Athans’ first institutional solo exhibition. Their series of sculptures, collectively titled Breathform, take air into latex ‘lungs’ which create a whistle in the exhale, a deep breathy sound that echoes eerily through the galleries.
Evie Adasal’s show Light and Space unveils a series of works that look at the intersection of design, light and space at The Garden Gallery in Sydney.
Marru translates to “becoming visible” in Danie Mellor’s ancestral Dyirbal language (of Far North Queensland). In his current exhibition Danie Mellor: marru | the unseen visible at Queensland Art Gallery, the title reflects the work’s gentle ruminations on the complexities of the history of colonisation entwined with personal memories.
Sophie Penkethman-Young dives into the cursed, chaotic and charming depths of the online world to create inquisitive artworks exploring technology, the internet and capitalism with humour.
Inspired by the ways in which nature informs creativity, the exhibition Material Nature, now showing at Drill Hall Gallery, aims to encourage viewers to think deeply about the human connection to the natural world.
