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Carol Jerrems’ intimate and revealing portraits of women, now showing at the National Portrait Gallery, are a touchstone for a generation of writers and photographers. For Josephine Mead, they also galvanise the power—and limits—of feminist legacy five decades on.
When times are hard, we often turn to art to remind ourselves that beauty and hope persist. An exhibition at Murray Art Museum Albury brings together nine artists from varied disciplines to examine how art can be used as an agent for good.
To coincide with the presentation of the 3rd Bankstown Biennale: Same Same/Different, Gillian Kayrooz spoke to Karina Dias Pires about how food can express the complexities of culture and difference—and spark unlikely connections across time and place.
For Patrick Pound, whose new installation The Museum of Falling is on show now at the City Gallery, the arrangement of objects and images has long blurred the line between fact and fiction, jolting our perception in surprising and unusual ways.
Ahead of the National Gallery of Victoria’s major retrospective on singular Japanese artist Yayoi Kusama, we invited four artists to respond to the influence of Kusama on their own practice—and meditate on what her work means to them.
Sandra Black is best known for her distinctive carved and pierced porcelain vessels, which are now showing in a comprehensive survey show at the Art Gallery of Western Australia. We step inside Black’s light-filled Fremantle studio, where she has worked since 1988.
