A journey to capture the essence of the wild rivers of New England on paper has taken Armidale printmaker Lizzie Horne far beyond the local gorge country.
In Wild Rivers, Horne takes a deep dive into sugar lift etching, a process of spontaneity and precision, incorporating bold, painterly marks and all the discipline of chemical etching.
Now showing at Home of the Arts (HOTA), the sophomore Gold Coast Triennial, Here and Now, brings together 42 contemporary artists to represent the depth and dynamism of the city’s artistic community.
For Lardil and Yangkaal writer and curator Maya Hodge, Archie Moore’s presentation at this year’s Venice Biennale is a powerful symbol of reckoning—one that asks the world to bear witness to the long shadows of colonial violence and clears space for possibilities ahead.
In an expansive show at the Chau Chak Wing Museum, seven leading Australian ceramic artists have reinvigorated one of Australia’s oldest museum collections by creating a contemporary potter’s quarter—known as the ‘kerameikos’ in Ancient Greece.
With their iconic painted poker machines and installations, notably featured in the 2020 Biennale of Sydney, the Tennant Creek Brio are now taking over Melbourne with a new show at the Australian Centre for Contemporary Art.
With a 50-year practice exploring her Chinese heritage, longing and belonging, Zen spiritualism and the endless nature of being, Lindy Lee is now unveiling the pinnacle of her art.
Now showing at RMIT Gallery, This Hideous Replica is a holistic experimental art undertaking, co-curated by Sean Dockray and Joel Stern, which encompasses an exhibition, performance programs, publishing and much else.
