way to be explores and interrogates the way in which we view and interact with cultural heritage sites such as the Western Yalanji galleries, using various technologies including augmented and virtual reality.
Trevor Yeung’s art draws on moments of quiet, dawning intimacy between people—interactions which are immensely felt yet so difficult to express. The Hong-Kong based artist is in this year’s Biennale of Sydney at White Bay Power Station and Artspace.
With a practice stretching over 50 years, celebrated artist Jill Orr is known for working with her body and centering responsibility towards our environment and place. In her latest exhibition at Linden New Art, Orr revisits an earlier series from 2012—and what it can tell us today.
In their first joint exhibition together, the couple Dana Harris and Peter Atkins share their separate three-year-long projects made during the Melbourne lockdowns, delivering a shared interest in geometry and colour in SUPERsystems at TarraWarra Museum of Art.
Mai Nguyễn-Long’s latest exhibition at Wollongong Art Gallery takes influence from her Vietnamese heritage and living in a modern Australian setting—speaking to the trauma experienced by the diaspora.
The brand new 10km Mosman Art Trail features landmarks that have inspired generations of artists, including Arthur Streeton, Margaret Preston, Susan Rothwell and Jasper Knight. With accompanying reproductions of artworks at various sites on the walk, it’s a chance to reflect how artists interpret the landscape.
Parrtjima—the Northern Territory’s annual festival of lights at the Alice Springs Desert Park—is entering its ninth year, and this time the immersive festival’s focus is interconnectedness.
