Formally inventive, Matsumoto’s feature film has been called a ‘shattering kaleidoscopic masterpiece’ and ‘one of the most subversive and intoxicating films of the late 1960s’. On show in the IMA Screening Room.
For artist Joel Sherwood Spring, working in video offers an entrée, with accessible technologies and immediacy, to his ongoing fields of enquiry about identity and capital, on display at his show Diggermode 2: Cloud Ceding at the Institute of Modern Art in Brisbane.
Tender Comrade, currently on show at Sydney’s White Rabbit Gallery, creates a new vocabulary of queer kinship by reimagining the relationship between artworks, bodies and space.
For its 25th edition, the Biennale of Sydney has announced additional artists, project highlights and initial programming, running free to the public from 14 March—14 June, 2026.
Key artworks from the East Kimberley Art Movement have been restored and are on display in Ride on, shine on at the South Australian Museum.
NAP Contemporary’s group show, The Elephant Table, platforms six artists and voices—creating chaos, connection and conversation.
Tasmanian artist Helen Wright’s survey exhibition, Shapeshifting at Queen Victoria and Gallery: Art Gallery at Royal Park, chronicles decades of practice across mediums to reveal new meanings.
