Chris Ingham
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In an Australian first, the Art Gallery of Western Australia presents Moving Landscape—an exhibition by internationally acclaimed US artist Sam Contis, curated alongside Dr Anna Arabindan-Kesson.
Hobart-based Max Mueller’s In the Sticks exhibition at Handmark Gallery features oil-on-linen works that show tranquil scenes of Tasmania, musing on how nature is managed and maintained in a context of civilisation and curation.
Inspired by the ways in which nature informs creativity, the exhibition Material Nature, now showing at Drill Hall Gallery, aims to encourage viewers to think deeply about the human connection to the natural world.
Curated by artistic director Hoor Al Qasimi, the program is centred by the theme of Rememory. Originating from author Toni Morrison, the ideas seek to explore the intersection of memory and history—revisiting, reconstructing and reclaiming histories that have been erased or repressed.
The finalist portraits in the biggest Australian art award of the year have been announced, alongside the winner of The Packing Room Prize: Abdul Abdullah for his portrait of fellow artist Jason Phu.
With a 50-year practice exploring her Chinese heritage, longing and belonging, Zen spiritualism and the endless nature of being, Lindy Lee is now unveiling the pinnacle of her art.
