In response to Ron Mueck’s monumental Pregnant woman, on loan from The National Gallery of Australia, The Ubiquitous Myth Of The Eerie Wife is a lush meditation on the eerie existence of the artist mother and on matrilineal creative inheritance and legacy, told against the hallucinatory and deeply familiar backdrop of Swan Lake.
A lavish exhibition adorning Bunjil Place Gallery, in a major partnership with the National Gallery of Victoria, presents over 150 historical and contemporary works—spanning painting, fashion, installation, and so much more—that explore a long history of flowers in art.
Cats & Dogs, now showing at the National Gallery of Victoria, explores the ways that the relationships we share with our pets are a source of strangeness and intimacy. But for Giselle Au-Nhien Nguyen, it’s also an exercise in the power of seeing and being seen.
Mitch Cairns’s latest solo exhibition Restless Legs, now showing at the Art Gallery of New South Wales, draws on symbols—from literature, mythology, nature, and home life—to find new pathways into painting.
Congratulations to Aisha Sherman-Noth, who has won the 2025 Glover Prize for Weeping birches on the avenue. The Tasmanian-based artist wins $80,000 for the painting, which depicts weeping birch and poplar trees along the Brooker Highway into Hobart.
Wanda Gillespie’s handcrafted sculptures embody ideas of the sacred.
Her latest exhibition, Of Counting and Devotion, is now showing at Craft Victoria’s Vitrine Gallery.
Hong Kong Art Week kicks off this week and Australian galleries are getting down to the business of showcasing their artists on this globally significant art world stage.
