Memories are triggered by all our senses. We can be transported by a song, a scent, an old photograph; and find distant moments of our lives surround us briefly. It is more poignant when the memory takes you to people lost and places long ago altered. Early memories of John Nesirky’s time in North Queensland are underpinned by the sounds of insects during hot hikes to cool off in a creek or swimming hole.
Trevor Yeung’s art draws on moments of quiet, dawning intimacy between people—interactions which are immensely felt yet so difficult to express. The Hong-Kong based artist is in this year’s Biennale of Sydney at White Bay Power Station and Artspace.
With a practice stretching over 50 years, celebrated artist Jill Orr is known for working with her body and centering responsibility towards our environment and place. In her latest exhibition at Linden New Art, Orr revisits an earlier series from 2012—and what it can tell us today.
In their first joint exhibition together, the couple Dana Harris and Peter Atkins share their separate three-year-long projects made during the Melbourne lockdowns, delivering a shared interest in geometry and colour in SUPERsystems at TarraWarra Museum of Art.
Working en plein air, Clarice Beckett’s tonalist paintings capture not only the likeness of a place, but how it felt to be there. Revisit our preview of the historical artist, who is now showing at Cairns Art Gallery with work from the 1920s and 30s.
With scores of artists in the current 24th Biennale of Sydney, we look at nine artists from around the world participating in the event, from a Japanese queer icon to a Polish film director, to creations of Māori barkcloth to Indian tattoos.
In a rare interview, alongside her showing in the 24th Biennale of Sydney, Tracey Moffatt talks about her penchant for the staged and surreal, going beyond identity, growing up in Brisbane and moving to New York in her thirties, and the importance of imagination.
