This iteration of Ezz Monem’s photographic series is displayed as three large-scale billboards at Incinerator Gallery, exploring authority, surveillance, and tourism through the juxtaposition of the Egyptian Pyramids and the figure of an anonymous local policeman.
The National Gallery of Victoria has announced the next instalment of the Winter Masterpieces series, coming in June 2025, will be a return to French Impressionism—an exhibition from 2021 that closed as soon as it opened due to the global pandemic.
With a 50-year practice exploring her Chinese heritage, longing and belonging, Zen spiritualism and the endless nature of being, Lindy Lee is now unveiling the pinnacle of her art.
In a new exhibition at Australian Galleries, Kyoko Imazu’s intricate papercuts show worlds in miniature—Some of works are only 15 centimetres tall, yet their detail is meticulous.
Chris Langlois explores the abstract nature and fugue-like quality of the ocean in his latest exhibition at Olsen Gallery, which presents a dozen new large-scale works with endless variations on the seascape.
In GHOSTLAND, her new exhibition at the ANU Art & Design Gallery, Julie Gough continues her lifelong inquiry into gaps and silences—while conjuring the apparitions that haunt Tasmania’s colonial past.
A Delicate Terrain, a new exhibition of works drawn from the Tweed Regional Gallery collection, looks at our relationship with the environment through the lens of contemporary art.
