Tempest Tapestry provides a glimpse into our wild and turbulent terrain, firstly transporting audiences to distant planes then demanding they be present, still and alone within her landscapes. Feneley’s works often play on light, from looming skies to dark compositions enlivened by blazes or glimmers of sun to brighter, imagined places that are whimsical and even magical.
Trevor Yeung’s art draws on moments of quiet, dawning intimacy between people—interactions which are immensely felt yet so difficult to express. The Hong-Kong based artist is in this year’s Biennale of Sydney at White Bay Power Station and Artspace.
With a practice stretching over 50 years, celebrated artist Jill Orr is known for working with her body and centering responsibility towards our environment and place. In her latest exhibition at Linden New Art, Orr revisits an earlier series from 2012—and what it can tell us today.
In their first joint exhibition together, the couple Dana Harris and Peter Atkins share their separate three-year-long projects made during the Melbourne lockdowns, delivering a shared interest in geometry and colour in SUPERsystems at TarraWarra Museum of Art.
Congratulations to Ellen Dahl, who has won the $30,000 2024 National Photography Prize for her work, Four Days Before Winter, a four-part piece exploring the devastating effects of climate change on the Norwegian archipelago of Svalbard.
Belinda Winkler and Kevin Perkins AM use the southern Tasmanian landscape as inspiration for a series of works that contrast curve and plane, which are now showing at Bett Gallery.
Two years after Josh Muir’s untimely passing at the age of 30, the Koorie Heritage Trust celebrates his work and legacy in an exhibition co-curated by his mother and partner.
