Federation University Emerging Artist Award 2025 winner Liam Maree Rogers presents a series of intimate works exploring his lived experience of mental health, neurodiversity, and queerness. His dreamy digital piece Masterclass blends comfort with imagination, creating a luminous, surreal atmosphere that invites viewers to reflect on the realities within.
Using the powerful connection between mother and daughter, Generational at Madeline Gordon Gallery in Launceston, explores this intimate relationship with creativity and complexity.
holemtaet hemia (hold this/ hold this tightly) is a new solo exhibition from Shari O’Dwyer at The Condensery, Toogoolawah, Queensland, that explores the woven memories between generations of South Sea Islanders in the Australian colony.
For artist Joel Sherwood Spring, working in video offers an entrée, with accessible technologies and immediacy, to his ongoing fields of enquiry about identity and capital, on display at his show Diggermode 2: Cloud Ceding at the Institute of Modern Art in Brisbane.
‘Vádye Eshgh (The Valley of Love)’ is a collaboration between Second Generation Collective and Abdul-Rahman Abdullah weaving through themes of beauty, diversity and the rebuilding of identity.
A search for beauty is behind Skin tight, the first solo exhibition in Australia for the American artist Tschabalala Self, whose works (on view at ACCA) seek to alter the power dynamic between viewer and subject.
This year’s edition of Sydney Contemporary marks the launch of Photo Sydney, a presentation that brings together the country’s most acclaimed photographers and gives the medium —and its relevance to our cultural moment—the attention it deserves.
