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Helen Mueller has been printmaking for 25 years, but moving to Hobart four years ago shifted her focus to the local natural environment. Now her delicate prints, made with materials foraged from the forest floor, are showing at Handmark Gallery.
An exhibition at the Museum of Brisbane sheds a new light on Brisbane’s history, presenting a significant historical archive of photography alongside contemporary artists responding to the original source material.
Trevor Vickers reflects on his six-decade career in hard-edged abstraction, the value that Perth’s light offers painters, and how his latest exhibition at Art Collective WA focuses on a series of quieter works.
Curated by Lee Kinsella, Stuffed, Bolstered and Upholstered—on now at Lawrence Wilson Art Gallery—looks at how woven and fibre objects align with the human form, encompassing the practices of over thirty artists working across textiles, painting, ceramics, sculpture and installation.
The Centre for Contemporary Photography (CCP) has been forced to vacate its Fitzroy home of almost 20 years following the recent withdrawal of funding from both Creative Australia and Creative Victoria.
Congratulations to Robert Fielding, who has won the 2024 Bowness Photography Prize for Sacred earth/Manta Miil miilpa. The winning work, along with the 73 finalists, are now on display at the Museum of Australian Photography.
