Karlie’s journey began in the fashion and textile industry. Now an emerging artist, Karlie creates intuitively, exploring and observing her surroundings. Honing traditional techniques with thread, bringing the viewer into her inner world.
“These stitched cloths are a response to my local environment. Noticing beauty in the everyday, shape and tone are reduced, creating a new world to play in.”
Nicholas Smith’s sensuous and bodily sculptures speak to the classical history of the form in an installation that is now on display at the Australian Centre for Contemporary Art as part of Future Remains: The 2024 Macfarlane Commissions.
In her latest exhibition at Arthouse Gallery, Belinda Fox invites friends and artists to contribute by reflecting on their sense of home.
GAGPROJECTS, a mainstay of the Adelaide art scene, has announced that the Kent Town space it has operated out of for 32 years will close at the end of August.
Throughout her nine decades, Elizabeth Blair Barber used her vibrant social life as the wife of Charles Bunning (of the Bunnings hardware empire) to fuel her art practice and raise the profile of other female creatives by painting well-known figures from the West Australian art scene.
In Hair Pieces at Heide Museum of Modern Art, hair symbolises the burden of gendered labour—while speaking to how bodies are subject to wider tensions between freedom and control.
What can eco-conscious artists and galleries do to assist the battle against climate change? Deborah Hart, co-founder of CLIMARTE, is working to champion creative action in restoring a climate capable of sustaining life.
