SETTLED takes the form of an infomercial. Developed by mob.io, a pro-Indigenous grassroots software company, the video shows a young tech professional marketing a new wellness app called ‘Settled’. Her scripted spiel has the subtle, slippery fluency of ChatGPT. Racist logic and built-in biases frequently appear and intermittent digital glitches hint she may not be a real person but an AI-generated deepfake.
Campbelltown Arts Centre’s in every room presents rich socio-political histories and personal storytelling, with works by Lara Chamas, Jagath Dheerasekara, Kuba Dorabialski, Roberta Joy Rich, Sancintya Mohini Simpson and Curtis Taylor.
In celebration of Artbank’s 45-year anniversary, two major exhibitions and a publication are on display. View, in pictures, Artbank’s Sydney exhibition, Art Text/Text Art.
Alchemist and artist, Natasha Walsh’s new solo show, The Window, embarks on a “new beginning” at N.Smith Gallery in Sydney.
A survey exhibition spanning the 30-year practice of Jennifer Mills brings together bodies of works grounded in precision and tenderness at Bunjil Place Gallery.
Over the past two decades, Sue Kneebone’s practice has threaded together found materials and archival information to consider the impact of settler colonialism on the landscape of South Australia. Kneebone’s exhibition at Adelaide Central Gallery is a nod to her great-great-grandfather and the “trans-oceanic” legacies braided into his story.
Gaypalani Waṉambi has just won the 2025 National Aboriginal and Torres Strait Islander Art Award (NATSIAA), Australia’s longest running and most prestigious art awards of its kind.
