Sciography is a site-specific solo exhibition at Bankstown Arts Centre, tracing the intersections of matter, time, and form as active forces in space. Through the fusion of Chinese ink, incense ash, and concrete, Situ engages materiality as a state of flux – between transformation and permanence, emergence and erosion, solidity and ruin.
In an interview with Louise Martin-Chew, Darrell Sibosado discusses his striking installation Ilgarr (Blood), currently on show as part of the 11th Asia Pacific Triennial, his major commission at the 24th Biennale of Sydney, and Illume, an upcoming collaboration with the renowned Bangarra Theatre.
Since 2009, the William Robinson Gallery has held regular exhibitions showcasing the prolific Queensland artist’s oeuvre. The latest is Numinous, focusing on landscape painting and showing the natural world through Robinson’s careful eye.
The Future & Other Fictions, a landmark exhibition at ACMI, reflects both the cultural forces that determine our reality and the power of imagining our world anew.
For over four decades, Tony Clark’s painting practice has merged a deep appreciation for art history with a desire to push beyond the traditional confines of prescribed mediums. His latest exhibition at Buxton Contemporary focuses on sculpture—or the idea of it.
un Magazine was conceived to champion courageous art criticism in an art world too often shaped by power and influence, a mission that still endures two decades on.
The paintings of Ethel Carrick—whose legacy is being celebrated via a new exhibition at the National Gallery of Australia—offer distinctive and poignant lessons in seeing the world.
