Drawing from her own upbringing in Australia and Malaysia, and her Indian and Malaysian ancestry, Sangeeta Sandrasegar will explore the connections to land and livelihood. Reflecting the past and present uses of the site and those who it supports; Sangeeta’s naturally dyed installation will bring past and future together.
Illustrator Oslo Davis recently spent time with Raymond Arnold and Helena Demczuk at their Queenstown “creative lab” PressWEST, where the artist couple support exhibitions and workshops that not only centre printmaking, but care for land ravaged by mining.
The Biennale of Sydney has announced Hoor Al Qasimi, an esteemed curator and Emirati royalty, as the artistic director of the 2026 Biennale of Sydney.
Geelong Gallery is pairing renowned Australian artists Margaret Preston (1875—1963) with the contemporary Cressida Campbell, in exploration of their mutual affinity for the Japanese ukiyo-e print.
CREATION is a new religion by artist Deborah Kelly, radically rethinking how we collectively come together. Having engaged with communities nation-wide, inviting audiences to dance, sing, listen and perform together, Kelly is now taking CREATION to regional Victoria. Curator Ineke Dane talks with Kelly about why she wanted to start a new religion, and where it will go in the future.
“I guess that is the thread, that I am very open to influences that come into my life, you know, and I respond to them,” says Suzanne Archer in The Long Run, Art Guide’s latest podcast series featuring interviews with artists who have 60-year practices.
Julia Gutman works with textiles donated by family and friends, creating layered figurative tableaux. We stepped inside her studio in Lewisham in Sydney’s inner west, learning how connection is central to her practice.
