The first major Tasmanian exhibition of renowned hyperrealist sculptor Sam Jinks also marks the largest collection of his works ever shown. Renowned for his painstakingly crafted figures, Jinks’ practice reflects the deeply felt moments of our lived experience. Transforming the entire upper level of QVMAG’s Royal Park site, this intimate presentation invites audiences to reflect on the mysteries of — life || death, and all in-between.
In a world in which the new wave of AI is reframing our relationship with creative labour, how do artists negotiate an impending crisis of relevance and understand the true value of their work? Stephanie Wood reports.
Over the past two decades, Sue Kneebone’s practice has threaded together found materials and archival information to consider the impact of settler colonialism on the landscape of South Australia. Kneebone’s exhibition at Adelaide Central Gallery is a nod to her great-great-grandfather and the “trans-oceanic” legacies braided into his story.
Arwin Hidayat’s TERNYATA AKU MASIH BERBAHAS (It Turns Out I’m Still Breathing) at Mitchell Fine Art, presents a lifetime of visual storytelling, experimentation and curiosity.
Dangerously Modern: Australian Women Artists in Europe 1890–1940, co-curated by the Art Gallery of South Australia and the Art Gallery of New South Wales, celebrates 50 Australian women artists who travelled to Europe during the early 20th century.
Step inside Remy Faint’s inner-city Sydney garage, where he meticulously constructs every element of his artworks—from wooden frames and sculpted fabric to striking, multilayered paintings in silk. Faint is now showing at the Rockhampton Museum of Art.
A major exhibition charts the ingenuity and creative spirit coming out of the Yirrkala community across time. In collaboration with Buku-Larrŋgay Mulka Art Centre,Yolŋu Power: the art of Yirrkala is now showing at the Art Gallery of New South Wales.
