From super cool hipsters to art world afficionados, street artists, mums and dads, commuters, dog walkers and lackadaisical youth, McHaffie’s keen observations of his everyday surroundings reveal the idiosyncrasies and absurdities of contemporary Australian urban life with colour, whimsy and humour in equal measure.
Elizabeth Willing intersects her artistic practice with a love of food in Kitchen Studio, an ambitious project showing at Metro Arts as part of Brisbane Festival.
In his latest exhibition at the 4A Centre for Contemporary Art, Elyas Alavi reimagines the alam, an object used in Shi’a ceremonies, as a portal for queer Muslim experience.
The marine life of the Great Southern Reef is the landscape behind Vera Möller’s latest abstract paintings, now showing at Philip Bacon Galleries.
Nicholas Smith’s sensuous and bodily sculptures speak to the classical history of the form in an installation that is now on display at the Australian Centre for Contemporary Art as part of Future Remains: The 2024 Macfarlane Commissions.
In her latest exhibition at Arthouse Gallery, Belinda Fox invites friends and artists to contribute by reflecting on their sense of home.
Congratulations to Zoe Grey, who has won the $100,000 Hadley’s Art Prize for her work The Shape of Rock, a painting depicting the landscape of her Tasmanian hometown, Marrawah.
