Relics explores the blurred line between truth and narrative in history. Through limited-edition etchings, Hatam questions the reliability of relics and the stories we inherit, reflecting on how fiction and fact often intertwine. A personal and philosophical journey into the uncertainty of interpreting the past.
Opening reception 9 Oct, 5.30pm–7.30pm.
This year’s edition of Sydney Contemporary marks the launch of Photo Sydney, a presentation that brings together the country’s most acclaimed photographers and gives the medium —and its relevance to our cultural moment—the attention it deserves.
Desert Mob is a critical platform for the cultural and creative authority of desert artists—with artists driving new ways of making, collaborating, and innovating on their own terms, ensuring cultural knowledge is not just maintained but continually expanded through practice.
Embodied, the first iteration of Arts Project Australia’s new exhibition series, Limitless, sees artists Bronwyn Hack and Mark Smith create their most ambitious works yet, with the body at the centre of it all.
Over the past two decades, Sue Kneebone’s practice has threaded together found materials and archival information to consider the impact of settler colonialism on the landscape of South Australia. Kneebone’s exhibition at Adelaide Central Gallery is a nod to her great-great-grandfather and the “trans-oceanic” legacies braided into his story.
New South Wales-based artist Sophie Cape, has won the Hadley’s Art Prize for 2025. The winning piece, alongside the 28 finalists, will be on display at Hadley’s Orient Hotel, Hobart until 21 September.
Language folds into form in the poetic yet monumental light sculptures of Welsh artist Cerith Wyn Evans, whose solo exhibition … in light of the visible is at the Museum of Contemporary Art, Sydney.
