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Trevor Yeung’s art draws on moments of quiet, dawning intimacy between people—interactions which are immensely felt yet so difficult to express. The Hong-Kong based artist is in this year’s Biennale of Sydney at White Bay Power Station and Artspace.
With a practice stretching over 50 years, celebrated artist Jill Orr is known for working with her body and centering responsibility towards our environment and place. In her latest exhibition at Linden New Art, Orr revisits an earlier series from 2012—and what it can tell us today.
In their first joint exhibition together, the couple Dana Harris and Peter Atkins share their separate three-year-long projects made during the Melbourne lockdowns, delivering a shared interest in geometry and colour in SUPERsystems at TarraWarra Museum of Art.
Anne Zahalka’s retrospective at the Museum of Australian Photography offers the chance to see 40 years of her revered photographs. In our interview she talks about reflecting on her work, the necessity of humour, and making art in times of political and climate crises.
Gareth Sansom talks about ambition, chance and mortality, and what changes over six decades and what remains the same.
CREATION is a new religion by artist Deborah Kelly, radically rethinking how we collectively come together. Having engaged with communities nation-wide, inviting audiences to dance, sing, listen and perform together, Kelly is now taking CREATION to regional Victoria. Curator Ineke Dane talks with Kelly about why she wanted to start a new religion, and where it will go in the future.
