Within spaces designed by the artist, this exhibition by Lee Ufan distils over six decades of considered experimentation into a series of recent paintings and sculptures created especially for the Art Gallery of New South Wales.
Lee’s sparing use of simple materials, including stone, steel and canvas, has a quiet force that encourages contemplation and consideration of the physical and intellectual self in relation to the work.
The Victorian First Peoples Art and Design Fair debuts in partnership with the Melbourne Art Fair this weekend, offering a special preview of new and recent artworks from 37 Koorie artists and designers.
In her audacious new exhibition, the Filipina Australian artist Marikit Santiago skewers the myths of the western canon and give pleasure and power—as experienced by women of colour—an arresting new form.
French-born/Belgium-based Laure Prouvost animates her first major Australian survey with her hallmark absurdism. ‘Oui Move In You’ is a touring exhibition, and is now showing at the Perth Institute of Contemporary Art.
The paintings of Ethel Carrick—whose legacy is being celebrated via a new exhibition at the National Gallery of Australia—offer distinctive and poignant lessons in seeing the world.
For over four decades, Tony Clark’s painting practice has merged a deep appreciation for art history with a desire to push beyond the traditional confines of prescribed mediums. His latest exhibition at Buxton Contemporary focuses on sculpture—or the idea of it.
Since the 1980s Pat Brassington’s images have entranced the psyche of contemporary Australian art. With a new solo exhibition at Bett Gallery, Brassington gives a rare interview talking about studying art in her thirties, psychoanalysis, and discovering feminism through a wives’ book club.
