Ron Mueck, Pregnant woman, 2002 fibreglass, silicone, polyester resin, oil paint, fibres National Gallery of Australia, Kamberri/Canberra, purchased with the assistance of Tony and Carol Berg 2003. © Ron Mueck courtesy the artist and Thaddaeus Ropac Gallery, London.
For decades, beginning well before the advent of social media, Barbara Kruger’s prescient use of words and text has invited people to consider their context in contemporary society. In Brisbane, between 4–7 September, audiences may experience her concise, dynamic aesthetic within the internationally acclaimed Gems delivered by choreographer Benjamin Millepied and the L.A. Dance Project.
New South Wales-based artist Sophie Cape, has won the Hadley’s Art Prize for 2025. The winning piece, alongside the 28 finalists, will be on display at Hadley’s Orient Hotel, Hobart until 21 September.
For Listening Acts at the Now or Never Festival, the music and performance company Chamber Made invited artists to interrogate the intersection between the body, listening and technology.
‘North Terrace: worlds in relief’ showing at Samstag Museum of Art, invites viewers to reflect on the complicated legacies of the cultural institutions that line Adelaide’s North Terrace.
In celebration of Artbank’s 45-year anniversary, two major exhibitions and a publication are on display. View, in pictures, Artbank’s Sydney exhibition, Art Text/Text Art.
Gaypalani Waṉambi has just won the 2025 National Aboriginal and Torres Strait Islander Art Award (NATSIAA), Australia’s longest running and most prestigious art awards of its kind.
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