The Portia Geach Memorial Award is celebrating its 60th anniversary and to mark this milestone the S.H. Ervin Gallery, Sydney, is presenting a selection of Geach’s seldom-seen work alongside previous exhibitors in the Award.
The Portia Geach Memorial Award has become synonymous with the developing profiles of Australian women artists and continues to champion women painters.
The National Gallery of Victoria has announced the next instalment of the Winter Masterpieces series, coming in June 2025, will be a return to French Impressionism—an exhibition from 2021 that closed as soon as it opened due to the global pandemic.
With a 50-year practice exploring her Chinese heritage, longing and belonging, Zen spiritualism and the endless nature of being, Lindy Lee is now unveiling the pinnacle of her art.
In a new exhibition at Australian Galleries, Kyoko Imazu’s intricate papercuts show worlds in miniature—Some of works are only 15 centimetres tall, yet their detail is meticulous.
Curated by Lee Kinsella, Stuffed, Bolstered and Upholstered—on now at Lawrence Wilson Art Gallery—looks at how woven and fibre objects align with the human form, encompassing the practices of over thirty artists working across textiles, painting, ceramics, sculpture and installation.
Lismore Regional Gallery is reopening to the public following extensive closure resulting from the devastating floods in 2022. The redesigned space will host a number of new exhibitions opening this weekend.
Anador Walsh reviews Ivan Cheng’s performance exhibition NP at Monash University Museum of Art—a three-day project, made in collaboration with a group of Year 11 students, that explores the loss of childhood innocence and role of documentation in performance.
