This exhibition presents a suite of new hyper-surreal sculptures exploring the meditative qualities of suburban reality.
Inspired by Japanese ‘suiseki’ or ‘scholar’s rocks’ that are valued for their aesthetic qualities, Laetitia creates compositions of organic matter in the form of rocks and food that can also be meditated on for their pleasing aesthetic qualities.
The National Gallery of Victoria has announced the next instalment of the Winter Masterpieces series, coming in June 2025, will be a return to French Impressionism—an exhibition from 2021 that closed as soon as it opened due to the global pandemic.
With a 50-year practice exploring her Chinese heritage, longing and belonging, Zen spiritualism and the endless nature of being, Lindy Lee is now unveiling the pinnacle of her art.
In a new exhibition at Australian Galleries, Kyoko Imazu’s intricate papercuts show worlds in miniature—Some of works are only 15 centimetres tall, yet their detail is meticulous.
A Delicate Terrain, a new exhibition of works drawn from the Tweed Regional Gallery collection, looks at our relationship with the environment through the lens of contemporary art.
In The Rites of When, Angelica Mesiti considers the rituals that may mark the seasons in our burning planet. The Tank has been waiting for art like this.
Now showing at RMIT Gallery, This Hideous Replica is a holistic experimental art undertaking, co-curated by Sean Dockray and Joel Stern, which encompasses an exhibition, performance programs, publishing and much else.
