Phenomenal Matter invites an encounter with material as an event of perception, where art-making becomes a field of expanded consciousness, bridging the visible and the invisible, the given and the
intuited. Anne-Marie May appears courtesy of Sutton Gallery.
With: Anne-Marie May, Ebony Maurice-Wilmott, Elizabeth Pulie, David M Thomas
The cancellation of Khaled Sabsabi’s presentation at Venice Biennale signals a long-simmering breakdown of trust between artists and institutions—one that risks threatening the breadth and depth of artistic expression in Australia for generations to come. Dee Jefferson reports.
Congratulations to Julie Fragar, who has won the 2025 Archibald Prize for Flagship Mother Multiverse (Justene), her portrait of fellow artist and colleague Justene Williams.
From painting rituals to an obsession with flowers, we caught up with Laura Jones to discuss her process and practice, her current solo show at Jan Murphy Gallery, and what it was like to win the Archibald Prize for her painting of Tim Winton.
Virtuosic digital artistry is on show in Serwah Attafuah’s installation The Darkness Between the Stars, currently showing at ACMI.
Hong Kong Art Week kicks off this week and Australian galleries are getting down to the business of showcasing their artists on this globally significant art world stage.
Joan Ross has long used her multidisciplinary practice to challenge the enduring legacy of colonialism in Australia. Her latest exhibition at the National Portrait Gallery shows significant works from throughout her career alongside key pieces from the NPG collection.
