Perched is a melding of the joyous spectrum of Abstract Expressionism, the decorative formalism of Pop-Art, and the wit and humour of a knowing artist working with the imagery of the conundrum of the exotic-ordinary, in this case, rare breeds of common pet birds, the budgerigar.
Elizabeth Willing intersects her artistic practice with a love of food in Kitchen Studio, an ambitious project showing at Metro Arts as part of Brisbane Festival.
In his latest exhibition at the 4A Centre for Contemporary Art, Elyas Alavi reimagines the alam, an object used in Shi’a ceremonies, as a portal for queer Muslim experience.
The marine life of the Great Southern Reef is the landscape behind Vera Möller’s latest abstract paintings, now showing at Philip Bacon Galleries.
Nicholas Smith’s sensuous and bodily sculptures speak to the classical history of the form in an installation that is now on display at the Australian Centre for Contemporary Art as part of Future Remains: The 2024 Macfarlane Commissions.
Jane Guthleben’s paintings bring native flora to life. In her show at Edwina Corlette, the Sydney-based artist is focusing on coastal plants and the sea around the region.
With the likes of Björk and Beyonce wearing her creations, within Dutch fashion designer Iris van Herpen’s surreal garments—which are showing at QAGOMA—couture becomes a canvas for the phenomena of nature.
