A group exhibition featuring The Art Room tutors, each of whom has invited a peer who has influenced their practice to exhibit alongside them.
Carol Jerrems’ intimate and revealing portraits of women, now showing at the National Portrait Gallery, are a touchstone for a generation of writers and photographers. For Josephine Mead, they also galvanise the power—and limits—of feminist legacy five decades on.
When times are hard, we often turn to art to remind ourselves that beauty and hope persist. An exhibition at Murray Art Museum Albury brings together nine artists from varied disciplines to examine how art can be used as an agent for good.
To coincide with the presentation of the 3rd Bankstown Biennale: Same Same/Different, Gillian Kayrooz spoke to Karina Dias Pires about how food can express the complexities of culture and difference—and spark unlikely connections across time and place.
Ahead of the National Gallery of Victoria’s major retrospective on singular Japanese artist Yayoi Kusama, we invited four artists to respond to the influence of Kusama on their own practice—and meditate on what her work means to them.
bagan bariwariganyan: echoes of country, curated by Jonathan Jones and now showing at Bundanon, highlights a long history of Indigenous art on the New South Wales south coast, with works and installations from Jones, Aunty Julie Freeman, Aunty Cheryl Davison, and Mickey of Ulladulla.
Symbols and images dance across Nathan Beard’s vast body of work, all connecting back to his Thai-Australian heritage. We step inside the artist’s studio space in Preston, Victoria, and discuss his upcoming exhibition at Sweet Pea Gallery.
