A Carrolup Centre for Truth-telling exhibition presented by the John Curtin Gallery. Opening for the first time at the Old Perth Boys’ School Curtin, 139 St Georges Terrace, Perth, WA, 6000. Once Known presents artworks created by Aboriginal children forcibly taken from their families and detained at the Carrolup Native Settlement in the 1940s.
Wendy Sharpe’s expressive paintings incorporate social criticism and otherworldly dreamscapes, blending the real and imagined. With a current exhibition at Philip Bacon Galleries, she reflects on her three-decade practice and that iconic painting of Magda Szubanski.
Janenne Eaton’s first major career survey, Lines of Sight—Frame and Horizon opens at Geelong Gallery. With a lifetime of environmental work and appreciation, the work reflects on the omnipotence of technology, capturing the essential commentary of humanity’s effect on the natural world.
At once an exhibition, performance series, and community-led workshops, Push / Pull is an ambitious program that brings together themes and areas of focus that honour the histories of Adelaide Contemporary Experimental as a platform for radical experimentation.
From painting rituals to an obsession with flowers, we caught up with Laura Jones to discuss her process and practice, her current solo show at Jan Murphy Gallery, and what it was like to win the Archibald Prize for her painting of Tim Winton.
An exhibition of the work of seven women artists at Ngununggula in the Southern Highlands of New South Wales explores themes of tenderness and care through the rich possibilities of paint.
Buoyed by the power of love and the spirit of artistic invention, Mostafa Azimitabar’s new solo exhibition at Maitland Regional Gallery turns dehumanising narratives on their head.
