Ardi Gunawan, A Constructed World, nat&ali, Foster Berean, Kate Smith, Alex Vivian, Joshua Petherick, James Deutsher and LAC, Christopher LG Hill, Ash Kilmartin, Danielle Freakley, Hoddle (Caeylen Norris), Debra Kunda, Aaron Rees and Holly Childs.
In an era of information excess and manipulation, Wang Zhiyuan’s Dictator Training Centre exhibiting at Passage Gallery, reminds us of contemporary art’s potential as an open-ended platform for reflection, dialogue, and shared authorship.
In our ongoing series, Shelf Portraits, Art Guide writers recommend the books—recently published or deserving of more attention—that shed new light on an idea that has long simmered in the art world or has helped them see a familiar medium in a different light.
Peter Hill interviews Simryn Gill about the exhibition Stolon Press: Flat earth at Monash University Museum of Art.
An exhibition of the work of seven women artists at Ngununggula in the Southern Highlands of New South Wales explores themes of tenderness and care through the rich possibilities of paint.
Community is the foundation of Claire Conroy’s exhibition at Lismore Regional Gallery. As a new arrival to the area, her art practice ties her to fellow artists, while her medium, camera obscura, allows for a deepening of social connections with her sitters as they commit to the shoot.
Taja Vaetoru’s debut solo exhibition Idol, now showing .M Contemporary, explores their Polynesian ancestry, questions of tradition and worship, and how to intersect the past with the present.
