Of Stadiums and Construction Sites (Ne change rien pour que tout soit different)
Curated by Lisa Radford.
Gertrude Glasshouse: Chunxiao Qu
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Curated by Lisa Radford.
Taja Vaetoru’s debut solo exhibition Idol, now showing .M Contemporary, explores their Polynesian ancestry, questions of tradition and worship, and how to intersect the past with the present.
With works from Tuppy Ngintja Goodwin, Betty Pumani and Robert Fielding, Aboriginal-owned Mimili Maku Arts’ first exhibition with Ames Yavuz is an opportunity to celebrate the milestone of their 20 year anniversary, as well as the ways of working that are integral to the centre and Aṉangu culture.
The finalist portraits in the biggest Australian art award of the year have been announced, alongside the winner of The Packing Room Prize: Abdul Abdullah for his portrait of fellow artist Jason Phu.
The glass sculptures of Dale Chihuly, now on display at Adelaide Botanic Garden, speak to the power and pitfalls of visual pleasure in an increasingly contested world.
Amanda Bell’s poignant new commission for the Perth Institute of Contemporary Arts transforms the heaviness of history and unsettles hierarchies of place.
Existing in the space between ritual, performance and ceremony, the body-centred work of Latai Taumoepeau rewrites the stories that shape our perception of Oceania—while using ancient traditions to tackle our most urgent modern concerns. Taumoepeau is now participating in Re-Stor(y)ing Oceania at Artspace.
