Next Exhibition

Numinous: The Landscape Paintings of William Robinson — William Robinson, Passing storm, late afternoon, Beechmont, 1993, oil on linen. QUT Art Collection. Donated through the Australian Government’s Cultural Gifts Program by William Robinson, 2017.

QUT Art Museum and William Robinson Gallery

Numinous: The Landscape Paintings of William Robinson

Numinous presents a profound exploration of one of the most significant aspects of William Robinson’s oeuvre—the landscape paintings produced between 1990 and 2008. Drawing on the magnificent natural environment of Kombumerri Country of the Yugambeh Language Region in South-East Queensland, these works occupy a delicate boundary where human perception intersects with the unknown, the infinite and the divine.

Offering visitors a deeply immersive experience, these majestic paintings transcend traditional notions of time and space through William Robinson’s signature multi-dimensional lens. Marking fifteen years since the inception of the William Robinson Gallery at QUT in 2009, Numinous celebrates the work and mastery of one of Australia’s greatest landscape artists.

1 October—31 August

QUT Art Museum and William Robinson Gallery

2 George Street, Brisbane QLD 4000

artmuseum.qut.edu.au wrgallery.qut.edu.au

Present moments at the Gold Coast Triennial

Now showing at Home of the Arts (HOTA), the sophomore Gold Coast Triennial, Here and Now, brings together 42 contemporary artists to represent the depth and dynamism of the city’s artistic community.

Sally Gearon

Archie Moore’s family ties

For Lardil and Yangkaal writer and curator Maya Hodge, Archie Moore’s presentation at this year’s Venice Biennale is a powerful symbol of reckoning—one that asks the world to bear witness to the long shadows of colonial violence and clears space for possibilities ahead.

Maya Hodge

Reviving the potter’s quarter

In an expansive show at the Chau Chak Wing Museum, seven leading Australian ceramic artists have reinvigorated one of Australia’s oldest museum collections by creating a contemporary potter’s quarter—known as the ‘kerameikos’ in Ancient Greece.

Michelle Wang

Ecological art can bring us closer to understanding nature. How does this look in the era of climate change?

Two exhibitions in Sydney are showcasing interdisciplinary research on climate change communicated in artistic ways.

Alexandra Crosby

Ivan Cheng on innocence lost

Anador Walsh reviews Ivan Cheng’s performance exhibition NP at Monash University Museum of Art—a three-day project, made in collaboration with a group of Year 11 students, that explores the loss of childhood innocence and role of documentation in performance.

Anador Walsh

A conversation between past and present

An exhibition at the Museum of Brisbane sheds a new light on Brisbane’s history, presenting a significant historical archive of photography alongside contemporary artists responding to the original source material.

Art Guide Australia