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For Betty Muffler art making and healing are indistinguishable. Evoking Country through the view of the eagle, she’s now showing in the NGV Triennial alongside a host of international names.
A comprehensive new survey at the National Gallery of Australia pays tribute to Emily Kam Kngwarray and the Country she loved.
From crones to witches to grandmothers, the feminine monstrosity offered by fairy tales is an antidote to our current, unsatisfying forms of female transgression—as a new exhibition at the Gallery of Modern Art reveals.
A new exhibition at Drill Hall Gallery, Pintupi Way, offers a window into thousands of years of culture and survival for the Pintupi people of the Western Desert.
Justine Youssef’s art confronts histories of displacement, genocide and colonialism, alongside preserving the traditions of her Lebanese heritage—as her latest solo at UTS Gallery & Art Collection attests.
Since the 1960s Mike Parr has been defining performance art. Known for his performances of extremis, from hacking off a fake arm to burying himself underneath a Tasmanian road for three days. With a new, three-part exhibition at Anna Schwartz Gallery, Parr talks about catharsis, the institutionalisation of performance art, and the motivations behind what he does.
