Mostafa ‘Moz’ Azimitabar’s story is one of resilience, hope, and the transformative power of art. For Moz, the theme of love is central, both in his art and his activism.
His quote, “Love is how we kill the monsters. We are all one family, connected by our humanity,” speaks to the healing and revolutionary power of compassion, understanding, and solidarity.
The National Gallery of Australia’s latest Know My Name exhibition presents the work of Australian fashion pioneers Jenny Kee and Linda Jackson alongside pieces by Sonia Delauney, tracing the French artist and designer’s influential use of colour and light.
The quietly evocative work of James Tylor reimagines imperial legacies and illuminates a hidden past. Turrangka… In The Shadows, Tylor’s touring retrospective exhibition, is now showing at Mornington Peninsula Regional Gallery.
Hong Kong Art Week kicks off this week and Australian galleries are getting down to the business of showcasing their artists on this globally significant art world stage.
Buoyed by rich feminist histories, the multifaceted work of Zanny Begg, who is now showing at the Western Plains Cultural Centre, reveals the possibility of paths not taken and the way age-old legacies persist.
After announcing last week that artist Khaled Sabsabi and curator Michael Dagostino would represent Australia at the 2026 Venice Biennale, Creative Australia has made the unprecedented decision to drop the team.
For Dane Mitchell, Slvalbard—a mysterious archipelago north of the Arctic circle—gives the tensions that shape our ecological moment a new and intriguing form.
