Mostafa ‘Moz’ Azimitabar’s story is one of resilience, hope, and the transformative power of art. For Moz, the theme of love is central, both in his art and his activism.
His quote, “Love is how we kill the monsters. We are all one family, connected by our humanity,” speaks to the healing and revolutionary power of compassion, understanding, and solidarity.
From matrescence-themed collages and intimate family portraits to a series of events centred on the intersection of design and fertility, revisit six pieces from the Art Guide archives that explore the relationship between art and motherhood.
In his first commercial presentation in Australia, one of Mexico’s most acclaimed contemporary artists uses his architectural background to create poetic, finely calibrated sculptural investigations of spatial perception, balance and equilibrium. Jose Dávila’s Physics of Uncertainty is now showing at COMA Gallery.
Tina Havelock Stevens likes to feel the wind in her hair, which probably goes some way to explaining the generous punk spirit that infuses her multidisciplinary practice, the subject of the exhibition Now is a Beginning at Bathurst Regional Art Gallery.
Congratulations to Aisha Sherman-Noth, who has won the 2025 Glover Prize for Weeping birches on the avenue. The Tasmanian-based artist wins $80,000 for the painting, which depicts weeping birch and poplar trees along the Brooker Highway into Hobart.
Amanda Bell’s poignant new commission for the Perth Institute of Contemporary Arts transforms the heaviness of history and unsettles hierarchies of place.
Buoyed by the power of love and the spirit of artistic invention, Mostafa Azimitabar’s new solo exhibition at Maitland Regional Gallery turns dehumanising narratives on their head.
