Merging the aesthetic, tactile, utilitarian aspects of craft, Shelton’s research and art practice seeks to re-examine and recraft interior landscapes of women, the feminine and identity over time.
In an era of information excess and manipulation, Wang Zhiyuan’s Dictator Training Centre exhibiting at Passage Gallery, reminds us of contemporary art’s potential as an open-ended platform for reflection, dialogue, and shared authorship.
In our ongoing series, Shelf Portraits, Art Guide writers recommend the books—recently published or deserving of more attention—that shed new light on an idea that has long simmered in the art world or has helped them see a familiar medium in a different light.
Peter Hill interviews Simryn Gill about the exhibition Stolon Press: Flat earth at Monash University Museum of Art.
Premiering at the Sydney Film Festival, artist, curator and filmmaker Nikki Lam’s The Unshakeable Destiny trilogy, shot on 16mm, Super 8 and digital, explores her hyphenated identity as a “settler-migrant”, through an upbringing in “city-state” Hong Kong and the enduring influence this has over her artistic practice in Australia.
An exhibition at Perc Tucker Regional Gallery pays tribute to Staffordshire-born Josiah Wedgwood (1730-1795) and his eponymous pottery company, featuring rare, valuable and ornate pieces, as well as “grandma’s good china”.
Traversing boundaries of the senses and of class, the work of Tina Stefanou is grounded in community. A solo exhibition at ACCA and a group exhibition at Bundanon showcase her work with unlikely collaborators.
