Brendan’s art evolves through a dialogue between canvas and consciousness. The process remains unfinished until a viewer interprets it, offering their own understanding or seeking the artist’s meaning, blending personal insights with the work’s intended expression. Each piece carries both conscious and unconscious significance.
Virtuosic digital artistry is on show in Serwah Attafuah’s installation The Darkness Between the Stars, currently showing at ACMI.
A major retrospective at the National Gallery of Australia in Canberra sheds light on the legacy of Anne Dangar, featuring over 180 objects that position her as a pioneer in European Cubism and Australian abstraction.
The theme for the 10th iteration of Parrtjima, the Aboriginal festival of light that takes place annually in the Northern Territory, is ‘timelessness’. The festival aims to reflect Indigenous culture and beliefs: both ancient knowledge and contemporary concerns.
In a new photography exhibition at the Immigration Museum, Nigerian-Australian photographer Dr Ayooluwatomiwa ‘Ibukun’ Oloruntoba is exploring what it means to be African-Australian, while highlighting the importance of culturally safe spaces for diasporic communities in Australia.
You’re Welcome?, a group exhibition at Verge Gallery, complicates this country’s well-worn narratives of inclusion and exclusion, while playfully exposing the rules that shape what it means to belong.
Now showing at Manly Art Gallery & Museum, the 5th Tamworth Textile Triennial: Residue + Response, showcases 25 diverse artworks and considers what contemporary textiles can be.
